French Painter, ca.1885-1956 French painter, stage designer and illustrator. After studying porcelain painting at the Sevres factory (1901) and drawing in Paris under the French flower painter Madelaine Lemaire (1845-1928), in 1903-4 she studied at the Academie Humbert in Paris, where she met Georges Braque and Francis Picabia. In 1907 she first exhibited paintings at the Salon des Independants, met Picasso at Clovis Sagot gallery and through Picasso was introduced to the poet Guillaume Apollinaire. Laurencin and Apollinaire were soon on intimate terms, their relationship lasting until 1912.  Related Paintings of Marie Laurencin :. | Two woman | Woman and dog | Woman wearing the jewelry | Femal wearing the hat | Anna |
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Jan van Huysum
1682-1749 Dutch Jan Van Huysum Galleries He was the brother of Jacob van Huysum, and the son of Justus van Huysum, who is said to have been expeditious in decorating doorways, screens and vases. A picture by Justus is preserved in the gallery of Brunswick, representing "Orpheus and the Beasts in a wooded landscape", and here we have some explanation of his son's fondness for landscapes of a conventional and Arcadian kind; for Jan van Huysum, though skilled as a painter of still life, believed himself to possess the genius of a landscape painter. Half his pictures in public galleries are landscapes, views of imaginary lakes and harbours with impossible ruins and classic edifices, and woods of tall and motionless trees-the whole very glossy and smooth, and entirely lifeless. The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains. Some of the finest of van Huysum's fruit and flower pieces have been in English private collections: those of 1723 in the earl of Ellesmere's gallery, others of 1730-1732 in the collections of Hope and Ashburton. One of the best examples is now in the National Gallery, London (1736-1737). No public museum has finer and more numerous specimens than the Louvre, which boasts of four landscapes and six panels with still life; then come Berlin and Amsterdam with four fruit and flower pieces; then St Petersburg, Munich, Hanover, Dresden, the Hague, Brunswick, Vienna, Carlsruhe, Boston and Copenhagen.
Giuseppe Grisoni
bapt. October 24, 1699 - 1769) was a Flemish/ Italian painter and sculptor, noted for his landscapes and historical tableaux. Born in Mons, he studied in Florence under Tommaso Redi, abandoning his Flemish influences for the Italian tradition. In 1715 he travelled to London with John Talman and tried to establish himself as a portrait painter. One of his pupils was William Hoare (1707-1792)
Stefano Ussi
Italian, 1822-1901,Italian painter. He received his formal training at the Accademia delle Belle Arti in Florence (1837-50, expelled 1838-40) under Tommaso Gazzarini (1790-1853), Pietro Benvenuti and Giuseppe Bezzuoli. In 1854 he won a scholarship to study in Rome and for several years worked on the large-scale painting that established his reputation, the Expulsion of the Duke of Athens from Florence